Kyle discusses three ways that different cameras have their own personalities, and how they can inform your decisions about what to film on.
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Every decision a DP makes with the camera should be done to support the story. Trevor gives his opinions on the matter while showing examples from popular films to hammer it home.
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Kyle explores what it’s like to work on a film set where everyone’s not in-sync with one another.
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The story of how I pursued a career that was the polar opposite of my degree.
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Some advice on how to face challenges in video production head-on.
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A story about shooting in low light, passion projects, and low budgets.
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Anyone who works in video production has dealt with the conflict of creating the video you want vs. the video the client wants.
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Do you remember holding a camera for the first time in your life? Maybe you remember looking through the viewfinder and, with what you assumed was pristine timing, pressing the record button to immortalize a moment in time.
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Bloggers hate him!
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